All acoustic instruments, moreover, tend to share these dynamics. Not only is a flute governed by a few physical dynamics. The more they researched, the more they discovered that the physics of acoustic instruments are remarkably similar. This is an excellent way to understand the physics. Their performances often sound terrible.īut they expose the naked dynamics of the instrument. The best way, Stefano says, is to observe YouTube videos of beginners. Stefano and Lele spent years studying acoustic instruments. The SWAM engine, for example, has a behavioral modelling algorithm for reed instruments that minutely simulates the interplay between breath and pitch. The short answer is that they found a way to blend techniques of sampling - or recordings of acoustic instruments - with more advanced techniques of physical modelling and behavioral modelling.īehavioral modeling aims to reproduce the human behavioral side of musical performance - all of the imperfect yet exquisite variations of finger movement and breath that bring music to life. At first, Stefano thought of SWAM as a solution for bringing better instrumental sounds into his music. Both men are musical, yet they have a research and engineering bent. The first hit was Lele - a web developer and VST maker who lived nearby. He then developed his own idea about a new approach to acoustic sound modelling. A former producer of pop and jazz music for Italian television, Stefano made the shift to sound engineering after working on a project to model a Stradivarius violin through synthesis. Close your eyes and you hear the flutter of breath through a flute, the resinous scrape of a bow on a violin string, or the slightly off-key slide of a saxophone.
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